JEFFERSONS-4TH SEASON (DVD/3 DISC/P&S 1.33/MONO) Read more
Studio: Starz/sphe Release Date: 09/01/2006 Rating: Nr Read more
Set in the 1950s this half-hour situation comedy revolved around the friendship between bright-eyed naive and demure Shirley Feeney and brassy tough-talking street smart Laverne De Fazio. Two bottle cappers for Shotz Brewery the duo dated an array of questionable men tolerated their dippy loony neighbors Lenny and Squiggy and forever pursued to "make all their dreams come true."System Requirements:Run Time: 568 minsFormat: DVD MOVIE Genre: TELEVISION/SERIES & SEQUELS Rating: NR UPC: 097360698749 Manufacturer No: 069874After its first half-season as a 1976 mid-season replacement, Laverne & Shirley entered its first complete season with a well-deserved place at the top of the ratings. The show's connection to Happy Days remained essential to its success, and after its first two episodes, the second season boosted its profile with back-to-back episodes ("Bachelor Mothers" and "Excuse Me, May I Cut In?") featuring appearances by Happy Days stars Henry Winkler ("Fonzie"), Ron Howard ("Richie Cunningham") and Anson Williams ("Potsie"). After that, Laverne (Penny Marshall) and Shirley (Cindy Williams) were on their own, and the best friends and Shotz Brewery bottle-cappers settled into a popular season of sitcom highlights. As these 23 episodes make abundantly clear, L&S was steeped in the primarily Jewish traditions of Vaudeville humor, by way of I Love Lucy and other vintage sitcoms, and much of the show's charm comes from the unspoken fact that Laverne and Shirley are virginally pure, eager for fun but clearly saving themselves for the elusive men of their dreams. Sex--which is to say, dating--is a common theme in these episodes, but most of them deal with the girls protecting their virtue, as in the hilarious "Good Time Girls" (from November 30, 1976), in which L&S cope with would-be suitors who found the girls' phone number etched on the wall of a men's public restroom. Like several other episodes this season, it's a prime showcase for slapstick humor, with Marshall and Williams clearly taking their cue from the legacy of Lucille Ball, and matching Lucy's lunacy with truly inspired bits of their own.
Season 2 is also highlighted by the regular appearances of Laverne and Shirley's underachieving neighbors Lenny (Michael McKean) and Squiggy (David L. Lander) who continue to make priceless, well-timed entrances, with Squiggy's trademark "Hello!" as one of the series' most crowd-pleasing running gags. The show's supporting cast members are all given moments to shine, and this season is further enriched by the hilarious rivalry between Laverne and her social-climbing nemesis Rosie Greenbaum (Carol Ita White) who appears in four episodes to taunt the girls with belittling insults. Fun-loving music is also a common factor here, and the season finale "Citizen Krane" takes its cue from Orson Welles' classic Citizen Kane, with the girls making their dubious show-biz debut as a singing duo, promoted by a Milwaukee impresario named "Charles Pfister Krane" (played with ham 'n' relish by character actor Severn Darden) who dubs them "The Rosebuds." It's a good example of the season's consistently high quality, owing mostly to the charms of its stars. And for those looking for a bit of pop-cultural perspective, consider this: Six weeks after Laverne & Shirley's second-season finale, Star Wars made its theatrical debut, and the world of entertainment would never be the same. (Note: There are no bonus features in this 4-disc set, and for legal and licensing reasons, some song performances and/or background music have been edited out or changed from the original TV broadcasts.) --Jeff Shannon Read more
RIDE ALONG WITH THE RICARDOS & THE MERTZES AS THEY HEAD OUT TO HOLLYWOOD TO LAUNCH RICKY'S MOVIE CAREER. IN HOLLYWOOD, OUR FAVORITE REDHEAD SETS FIRE TO HER NOSE, STRUGGLES IN HER BIG MOVIE SCENE & BIGGER HEADDRESS, DANGLES FROM A MOVIE STAR'S PENTHOUSE BALCONY & GOES ONE-ON-ONE WITH ONE OF THE MARX BROS.Season 2 of I Love Lucy includes two of the most famous half-hours in television history. "Job Switching," originally broadcast mid-September of 1952, is the crazy, battle-of-the-sexes episode in which husbands Ricky Ricardo (Desi Arnaz) and Fred Mertz (William Frawley) trade roles with wives Lucy (Lucille Ball) and Ethel (Vivian Vance), culminating in the men making a shambles of domestic chores while Lucy and Ethel take disastrous work at a chocolate factory. That's right: This is the show where the ladies have a Chaplinesque experience with a too-fast factory conveyor belt, forcing them to hide candies in their mouths, in their hats, and down their blouses lest a tough forewoman fire them for incompetence. A half-century later, the scene is still so fresh and funny it would grace any current sitcom. "Lucy Goes to the Hospital," which received an amazing 71.7 rating on January 19, 1953, is the historic episode featuring the birth of Little Ricky and a load of wonderful slapstick. Other television series (The Dick Van Dyke Show) and movies (Nine Months) have tried to top Lucy's time-to-go-to-the-hospital shenanigans, but there's nothing like the sight of Ricky and Fred falling all over themselves or Ricky showing up at the maternity ward (direct from a voodoo-themed show at the Tropicana) in witch doctor makeup.
The other 31 episodes included in I Love Lucy: The Compete Second Season have choice moments, too. "Lucy Becomes a Sculptress" finds the ever-ambitious redhead falling for empty flattery at an art-supply store and commencing an ill-advised career working in clay. Ricky agrees to bless this new endeavor if an art critic says she has talent, but Lucy tries to increase her chances by posing as a bust of herself--resulting in mayhem, of course. The usual running themes in I Love Lucy--Lucy's misguided desire to be a part of Ricky's musical career, and her penchant for disguising herself to investigate something--are all over The Complete Second Season. "Ricky Loses His Voice" is a delightful piece in which Ricky's laryngitis inspires Lucy, the Mertzes, and an aging chorus line to put on a Tropicana spectacle, and "Ricky Has Labor Pains" finds Lucy and Ethel going undercover as male reporters to find out what happens at a stag party. Lots to enjoy here, and the special features include bloopers, information about the guest cast, and snippets from Ball's radio show. --Tom Keogh Read more
Movie DVD"If it ain't broke, don't fix it" was clearly comedian Bob Newhart and company's motto during the fourth season (1975-76) of The Bob Newhart Show, all 24 episodes of which are preserved in this three-disc set. Even with the show's ratings dipping somewhat, there's no shark-jumping going on here; Newhart and producers Jay Tarses and Tom Patchett clearly understood what made this show tick, and notwithstanding a little tinkering, they stuck with it. "It," of course, largely depended on Newhart himself. A brilliant reactor, he continues to bring his array of deadpan takes and brilliant, understated timing to the part of Chicago psychologist Bob Hartley, who's surrounded by the usual group of family (primarily Suzanne Pleshette as wife Emily), friends (Peter Bonerz as best bud Jerry Robinson), neighbors (Bill Daily as the tactless Howard Borden), staff (Marcia Wallace is always a riot as receptionist Carol Kester), patients (Jack Riley is the standout as the neurotic Mr. Carlin, but they're all good), and various guest stars (including Rene Auberjonois, Tom Poston, and Lawrence Pressman). Carol gets married a few episodes in, and Emily is promoted to vice-principal at her school, but these are largely cosmetic changes that do little to alter the series' overall tone.
Aside from Newhart himself, props are due to the writers. As always, The Bob Newhart Show's humor is mostly low-key, with none of the raunch, tasteless sexual innuendo, and flamboyant idiocy of today's sit-coms. What's more, subjects as serious as death ("The Longest Good-bye" and "Death of a Fruitman"), obesity ("Heavyweights," in which Bob presides over a workshop for "people of the hefty persuasion"), professional ethics ("Who is Mr. X?"), and jealousy on the job ("A Matter of Vice-Principal") are broached without ever becoming sententious or heavy-handed. Of course, three decades after the fact, some things will seem a little dated: the clothes are cringe-worthy, and it's hard to imagine anyone these days getting away with describing Beirut as a place where "everybody looks like Danny Thomas." Still, Newhart's show remains one of the best of the several great sit-coms that emerged in the '70s. Bonus features include commentary (by Newhart and others) on five episodes, a gag reel, and a featurette. --Sam Graham Read more
Studio: Tcfhe Release Date: 02/03/2009 Rating: Nr Read more
